The story of J M Kronheim & Co
1810 – Joseph Martin Kronheim (JMK) born in Magdeburg, Germany 26th October 1810
1830’s – JMK worked in Paris where he learned Lithography
1839 – JMK came to the UK and is working for Miller & Richard, type founders of Edinburgh
1842 – JMK marries Ann Stapleford King (maiden name) or Dallas (previously married name) on 12th March 1842 at St Cuthberts, Edinburgh. She brings with her two children Duncan Campbell Dallas (born circa 1828) and Charles Dallas (circa 1829). They have two children together Eliza Matilda (born circa 1845) and Martin (circa 1849).
1842 - JMK listed as engraver at 9 Buccleuch Place, Edinburgh
1844 - Kronheim & Co patents process of making castings of stereotype plates. Patent 10275 is registered 29th July 1844. Basically a mould is made from alternate layers of tissue paper and paste on a brown paper. JMK saw this being done by Demat of Brussels in 1843 and brought it to London, it took over from the plaster moulds previously used.
1845 – 5th February 1845 – A partnership between JMK, John Skirving, William Shepperd, Frederick Wilson Sutton, trading as Kronheim & Co patent stereotype founders of Earl Street Blackfriars is dissolved. JMK, William Shepperd and Frederick William Sutton carry on the partnership.
1845 – 11th August 1845 – JMK leaves the partnership of Patent Stereotype founders, William Shepperd, Frederick Wilson Sutton carry on the business under their own names. They can be found in Berrow’s Worcester Journal dated 21st August 1845 advertising Licencees available for Kronheim’s Patent Process on application from The Foundry, 3 Earl Street (Kronheim’s address, so still a business connection?) or Sheppard and Sutton, Foster Lane London. S & S partnership was also dissolved 25th April 1846
1845 – ‘A Description of the Colosseum & Panorama of London’ quotes “This catalogue has been prepared for the proprietor by Messrs Kronheim & Skirving, Engravers and Designers and the Illustrations and Letter-press are printed from Stereotype plates cast by the Patent Process of Messrs Kronheim & Co – 3 Earl Street Blackfriars” (note: not printed by them).
1846 – Listed in London directory as Joseph Kronheim & Co patent stereotype founders at Earl Street address
1846 – JMK and John Skirving must have rejoined their partnership as we find on 17th December 1846 their new partnership was dissolved.
1846 – Later J M Kronheim & Co trade cards show this as the date that the printing company was established.
1847 – In London directory but now at 36a Paternoster Street.
1849 – 8th August 1849 – A partnership between JMK and Alfred Baumann fancy printing manufacturers of 32 Paternoster Row is dissolved.
1849 – Joseph M Kronheim, engraver, stamp & die cutter, printer and embosser of fancy stationery listed at 32 Paternoster Row.
1849 Charles Gregory (ex Baxter apprentice) moves from Gregory Collins & Reynolds to Kronheim, Gregory at some time also brought in other Baxter apprentices, Thomas Thompson and Thomas Dowlen and also Otto Mayer a Litho Artist.
1850 – Kronheim takes Licence to print using Baxter’s process.
1851 – TWO stands at the Great Exhibition – Kronheim & Co Manufacturers – jurors said possessed merit for Printing in Gold and Silver & J M Kronheim & Co Engraver & Printer of 32 Paternoster Row on which was displayed colour printing of illustrated books, tickets, labels and bands.
1852 - Oscar Conrad Christoph Gustav Frauenknecht (1821 – 1883) puts capital into the business.
1853 – July 1853 moved to Bangor House, 64 & 65 Shoe Lane Fleet Street.
1857 – Previously documented by Courtney Lewis as 1855, entry below confirms – JMK sold his interest to Oscar Frauenknecht, retired and returned to Germany where he invested his money in the manufacture of Bronze Powder (believed to used in gilding and gold leaf work) he lost heavily.
At some stage he moved to America with his son Martin (Martin can be found travelling alone on 19th May 1868) and possibly some of his family but at some stage he separates from his wife. She can be found, just with her son Duncan, listed in Tottenham in 1871 and elsewhere JMK alone in 1881, his wife dies in 1884.
In 1866 (possibly before he moved there) we find that well known American printer Theodore Low De Vinne contracts to buy out JMK’s partner (?) for $10,000 and pay Kronheim $15,000 for his plant and rights to his invention. Kronheim was to be contracted and paid for 5 years but the contract only ran for 10 months before it was cancelled by mutual consent due to the cost of the operation. Kronheim signs the document so it must be JMK himself not Kronheim the company.
Martin Kronheim is listed in the New York directory as a Lithographic printer in 1870 and then regularly from 1878 onwards, other dates can’t be confirmed at this stage. He must have returned home at some time as, although his first child is born in NY in 1873, his second child was born in Islington in 1875. His third and fourth child was again born in NY in 1883 and 1884 and he dies there in 1890. Was he the Martin Kronheim of Wemple & Kronheim and other companies operating in NY at around this that time?
It is known that Kronheim & Co are operating from 9 Dey Street New York in 1876. Courtney Lewis always presumed this was his own and a new business BUT firstly, there can be found a print of Oswego Starch Factory that is stated as printed by Kronheim & Co London AND 9 Dey Street New York and also a board for ‘Standard Trimmings’ lace etc sellers also with both adddresses so...there was still some connection with the old company AND was this JMK, Martin or a partnership between them, was JMK even involved at this stage?
At some stage JMK returns to be the UK and again works for his old company, but not as a partner.
1857 – 28th May 1857. The partnership of JMK and Oscar Frauenknecht is dissolved. OF to carry on the business alone.
1857 – Gregory & Mayer become partners with Frauenknecht
1863 – Almanacks show offices in London, Manchester and Glasgow**
1865 – 11th January 1865 a fire at Bangor House does much damage.
1875 – Steam Litho machines introduced at Kronheim & Co, steam being used for the embossing machines as early as 1858. Baxter process printing is regarding as being not used after about 1878 (confirmation required).
1881 – Joseph H? Kronheim a printer born 1810 in Germany is listed as unmarried and boarding with Eliza Davis of 19 Chadwell Street London in the census of that year.
1883 – Frauenknecht dies 11th December 1883 at his home 73 Hungerford Road Islington. Gregory & Mayer have to buy out Frauenknecht’s widow causing financial struggle.
1884 – Otto Johann Von Nepomuk Mayer and Charles Gregory trading as Kronheim & Co of Bangor House Shoe Lane, London File for Bankruptcy.
19th Nov 1884 – Receiving Order, 19th December 1884 - date of Meeting, 31st Dec 1884 – Joseph Martin Kronheim!!! appointed as Trustee, 15th January 1885 - Date of Public Examination, 12th March 1885 – Both parties discharged from bankruptcy.
1885 - John James Griffiths buys J M Kronheim & Co - Fred W Seeley writing in the Baxter times and other publications 1908 / 1919 confirms that Kronheim & Co was purchased in this year by the then, current owner.
1887 – JMK retires from Kronheim & Co and returns to Germany.
1896 - JM Kronheim Dies in Berlin Germany 25th March 1896.
1902 – The Bookseller states that Kronheim & Co moving to temporary offices at 16-20 Farringdon Avenue, Shoe Lane during reconstruction work of Bangor House Shoe Lane “The printing plant and machinery will in future be installed in a specifically erected factory on the outskirts of London, giving greatly improved facilities for the turning out of rapid and first class work”.
1903 - An advert in The Printseller February 1903 confirms the Head Office address as Farringdon Avenue and now showing a separate address for the works as Bangor House Tottenham Hale, (this must be Fawley Road Tottenham Hale as mentioned in 1910 below) The advert also states, branch at Portland Street Manchester.
1905 - The Post Office London Directory (POLD) shows Kronheim at 109 Hamilton House 149 Bishopsgate Without London.
1906 – Kronheim listed at 109 Hamilton House Bishopsgate Street (must be the same address) London in The Writers and Artists Yearbook. I have a Postcard of Blackpool printed from Hamilton House and postally used in 1920. Also have unconfirmed note that similar card had been posted in 1946!
1907? - Kronheim borrows the plates of the George Baxter's prints, The Lovers Letterbox, The Day before Marriage and The Bridesmaid from Mr Bramah (who had purchased all the Baxter and Le Blond plates from Frederick Mockler some 10 years before). The intention presumably was to print from them but they didn't have all the colour blocks. I have a pull from the plate of The Lovers Letterbox in monochrome, that could it be a Kronheim printing? What is unusual, and possibly an identifier about this print, is that it has a printed number '3' in the outer margin. These three plates were returned to Bramah in 1923 and from their to A. E. Owens who had previous purchased all of Bramah's plates
1910 – (& 1914) Kelly’s Directory lists Kronheim J.M. & Co Colour Printers Fawley Rd Tottenham N
1911 – 7th February 1911 - John James Griffiths dies.
1912 - Hamilton House is renumbered as 155 Bishopsgate (the without is dropped) Kronheim is now listed at 10 Hamilton House, 155 Bishopsgate Street London, an office previously occupied by another J J Griffiths business. The Patent Victoria Stone Company.
1913 – 9th Sept 1913 - JJ Griffiths’ son, Fred Griffiths & his son–in-law Samuel Archibald Vasey, being the executors of the late John James Griffiths sell J. M Kronheim (the goodwill?) to Norbury Natzio & Co Ltd. There is a legal case heard Norbury Natzio Co Ltd v’s Fred Griffiths (1918) that refers to this sale. We also have letter from F Seeley of Norbury Natzio who refers to the sale in 1913 but states they also purchased all the plant etc (see note regarding Dickinson 1919).
1914 - A POLD entry shows Kronheim JM & Co (proprietors Norbury Natzio & Co Limited) Billiter Buildings, 49 Leadenhall Street London although Norbury Natzio factory is still based in Manchester until about the outbreak of WW2.
1915 - The British & Colonial Printer refers to Norbury Natzio & Co as acquiring the Goodwill of JM Kronheim & Co “printing both at its considerable works at Old Trafford (Manchester) & at Tottenham Hale”
1919 – 9th July 1919 A E Owen (well-known industrialist and Baxter collector of the period) pays £90 commission to Mr Bullivent of Birmingham, a Baxter dealer, for introducing him to the seller of 375,265 Kronheim Prints on 52,600 sheets, "John Dickinson Ltd of Hemel Hempstead" (famous paper manufacturers, Basildon Bond, Croxley Script etc). These prints became known as the New Hall Vault collection upon their sale by Christies in 1987. It is noted Norbury Natzio bought the GOODWILL of Kronheim & Co but Seeley's letter of 1923 (to A E Owen) says they also bought the plant. How did Dickinson come to have these prints? Further research / information required. One line of research is Millington & Sons, envelope manufacturers, had premises in Fawley Road Tottenham at the same time as Kronheim, Millington's were subsequently purchased by J Dickinsons in 1918.
1921 – Norbury Natzio Co Ltd now called Norbury Printers Ltd
1921 /22– Norbury Printers Ltd, Alf Cooke Ltd and Bemrose & Sons Ltd amalgamate to form Universal Printers Ltd. Bemrose being the dominant partners hence the later name change see 1972.
1923 – 12th July 1923 Letter from Fred Seeley on headed paper still of Norbury Natzio & Co Ltd (Lithographic & general printers) of Old Trafford Manchester stating offices at London, Glasgow, Liverpool, Paris, Lyons, Shanghai & Hong Kong.
1972 – An entry states ‘Bemrose Corporation of Midland Place Derby (formally Universal Printers).
1987 – circa – The packaging interest of Bemrose, which made colour printed folded cartons, was sold to Low & Bonar (Dundee) and subsequently changed ownership to Cereal Packaging, a division of Kellogg’s, who had been a large customer of the company. At this time the Manchester operation closed. Interestingly we have seen an advert for Kelloggs using Baxter’s ‘So Nice’ perhaps this dates from this era via this connection or of course just totally coincidental.
2003 – Bemrose bought by Appleton of USA
**J M Kronheim & Co trade cards can be found at the British Library giving the Bangor House, Shoe Lane address but also shows the addresses of:
14 St Andrews Street, Dublin
4 Portland Street Manchester
Flinders Lane West Melbourne
I can find no reference to Kronheim trading from these addresses BUT would it have been a practice in those times for the offices of one company to act as ‘representative offices’ of another? If so, the Flinders Lane West address is shown as the offices of J Kronheimer & Co, Tobacco Merchant (an important Australian businessman and philanthropist originally from Bavaria) in 1888 and 1899. A possible relation who allowed his address to be used, or just a very strange coincidence?
On this subject we also find in the Post Office Glasgow Directory for 1863 /4 J M Kronheim of London embossers and ornamental prints shown at 25 South Frederick Street Glasgow, did he operate from there or was it just an accommodation address? The answer must be the later as we find in the same directory, at the same address one Ernest Mirow agent for J M Kronheim & Co of London embossers and....
One thing I will mention is that I can’t find any reason for their different trading styles, any minor change in the company name doesn’t give any indication to date or ownership. J M Kronheim, Kronheim, Kronheim & Co etc have been used inconsistently through the company’s history.
As mentioned there is still ongoing research especially with the America connection and the whole question of the New Hall Vault Kronheim’s, I’m sure there is plenty more to learn, directly or indirectly related. For instant we find a well documented Austrian by the name of Paul Pretsch who obtained a patent in 1854 for producing copper plates etc by photography. He worked for Kronheim sometime between 1851 and 1855 when he left to form the Patent Photogalvanographic Company. The manager of that company, Duncan Campbell Dallas, Kronheim’s stepson, who went on to open his own company and becomes quite a well documented photographic printer in his own right. What, if any influence did these or other such companies have on colour printers of the day. For instance, how did Baxter print or make his plates for his Baxter photographs?
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